Drop audio anywhere to add it
folders and loose files both work
Bar length comes from the detected tempo, falling back to a fixed length if none is found.
On by default. A folder of session subfolders becomes one source each; a folder of loose audio is unaffected either way. Set it before adding the folder.
Click a token to insert it, or type. Any order. A number is always added.
Each source's own output folder (and its full-length WAV copy). No number here - a folder names one whole source, not one chop.
Individual WAVs: one file per chop, as usual. WAV with Slice Markers: one continuous WAV per source file with the current chop boundaries embedded as standard RIFF cue points - compatible with Dirtywave M8 slice import (up to 128 markers). Always uses the clean, unprocessed audio, regardless of Output Stage.
Off skips that detector entirely, for every mode - no analysis attempted, and its {key}/{tempo}/{tag} naming tokens above quietly drop out. Turn off key detection for material with no meaningful key, like drum breaks. Tempo still drives bar-locked drum chop length and the stretch ratio, so turning it off without setting a tempo manually per file falls back the same way an unconfident detection already does.
Loading key & tempo detection…
Stretching is the whole point of this task, so it's always on here.
Pitch preserved. No confident tempo means it exports unstretched.
Shared with STRETCH. Off by default - in CHOP, turning it on bakes this character into the exported chops.
Applied in order: output stage, then drive, then crunch. CHOP only ever gets the output stage.
Raw copies go to chops clean/ and one shots clean/. Roughly doubles export time.